Becoming an Artist

Value studies #14, #15, #16. I thought I was getting better, but then I realized they really don't look like anything. Oh no.  Took a little break there. Not a good one. Prescription drug-related side effects. But I've got the issues worked out (I hope) and I'm back to work on my year of value studies. (I'm also rereading " Coaching the Artist Within ," by Eric Maisel, which is a GREAT book to use to tame the inner critic so that you/I can get back to making art.) A few days ago I watched a great promo teaching video from the Tucson Art Academy Online on value. Afterwards, I created three value studies from vacation photos. Studies #14 and #15 are from the same photo, but they don't read as masses that make up an interesting scene. Study #16 reads as three distinct value masses, but you really don't know what it is (a canyon in Zion). I'll need to think about these some more. Barn near Holdener Park, Livermore, CA Meanwhile, I reread ...

Composition #12, working on value masses. Today I challenged myself to create my value composition in five minutes. The goal was to construct a landscape, loosely based on a photo I took at Arches National Park, with a focus on distinct value masses. I set my timer and got to work. When it buzzed, I took a few more minutes to see if I had a "papa, mama, baby" distribution of lights, darks, and mid-values. I didn't, so I reworked the composition a bit until I did. Success. Papa: mid-tones. Mama: white. Baby: black. My finished landscape.  I then worked out a color palette for my small (5"x7") test painting, choosing a triadic color scheme of yellow ochre, naphthol red, and both phthalocyanine blue and ultramarine blue. I added in titanium white and that crazy baby blue I'm using up (see it in the sky), and started painting. My goal: staying true to my value plan. Overall, I'm pleased with my little painting. I think it holds true to my value ...